The Stage Universalism of Peter Brook's Directed Theater

The Portrait on Stage in Molière's Theater

Computer Theater: Stage for Action Understanding

This paper argues that computer theater are an interesting domain for research in action representation, recognition, and generation. Here, computer theater describes experiences and systems where performers use computers in theatrical performances, both as a means to expand their bodies and as partners. Some of the most recent experiences in computer theater are surveyed and classified accordi...

the effects of cooperative versus individual directed reading thinking activities on students inferential and referential questions

two groups of students were assigned as experimental and control ones, and were given instruction on directed reading-thinking activities and after some treatment, they were post-tested. although the initial pre-test did not show any significant differences, the final post-test result revealed that the cooperative reading comprehension helped the experimental group. the cooperative students’...

The phenomenology of place and Space in Theater stage According to Norberg Schulz Case study: Directing of Elinstein on the Beach by Robert Wilson

Theater and architecture create space and the spirit of life through settings, and both possess the nature of movement, time, rhythm, light, and color. Space and time are the most important common elements of these two arts. Theater directors and designers can put on meaningful and identity- based performances if they make organic use of the human-space relationship in creating space. Phenomeno...

Perdurantism, Universalism, and Quantifiers

I argue that the conjunction of perdurantism (the view that objects are temporally extended) and universalism (the thesis that any old class of things has a mereological fusion) gives rise to undesired complications when combined with certain plausible assumptions concerning the semantics of tensed statements.